Prismgood copies your photo several times, gives each copy a color and offsets them: red and cyan like a 3D image made for glasses, cyan, magenta and yellow like a misregistered screen print, red, green and blue like a screen going haywire, or the whole rainbow. The copies overlap like inks on paper (shadows take the color and darken where they cross) or like lights on black (the photo comes back where they all meet). Offset in a line, in a zoom like lens aberration, in rotation, in a wave or in shards, with blur, grain and looping animation.
A 3D image made of two offset views, one printed in red, the other in cyan. With red and cyan glasses, each eye sees only one view and the brain rebuilds the depth. Without glasses, the colored offset has become a graphic effect of its own, common in posters and fashion photography.
In Inks mode, the copies overlap like transparent inks on white paper: each copy’s shadows take its color and crossings darken. In Lights mode, they add up like spotlights on black: this is the RGB split of screens and the chromatic aberration of lenses. Either way, with no spread, a full set (red + cyan, cyan + magenta + yellow, red + green + blue) gives back the original photo.
Yes: choose “My palette” in the color set and build it, or apply the palette you made in Colorgood in one click. The colors are spread along the copies.
No, all the computing happens in your browser.
pixisgood grows with every idea. Would you like another generator, a specific feature, or a custom tool for your studio or brand? Write to me: every message is read, and the most requested ideas become the next tools.
Jérôme Enel-Réhel, graphic designer · enel-rehel.com · Instagram